From other blogs

Two things I enjoyed today:

First, Tom Moody on Paul McCarthy at the Haus der Kunst in Munich. An excerpt:

Unlike US art institutions, which filter art for the delicate sensibilities of small children, Victorian grandmothers, and Newt Gingrich, European museums don't protect viewers from the sight of icky penises and soiled butt cheeks.

...

I watched most of this vid [Sailor's Meat/Sailor's Delight, 1974] at the Haus Der Kunst, sitting on a seat in the main gallery with all this kinky sexual imagery right out there in plain view. There were no furtive darkened rooms for creepy behavior as in the US, but headphones did protect the other museumgoers from McCarthy's disturbing grunts and Deliverance-like squeals. Damn, the early 70s were an interestingly depraved time, partly owing to the end of the sexual revolution that conservatives are always complaining about, partly because the median age of the US population was about 22 and cranky oldsters were not allowed to run the show, as they do now.

Second, Wooster Collective's images of Banksy in the West Bank, including the work he put directly on the West Bank "wall".

Monthly Archives

Powered by Movable Type 5.2.13

About this Entry

This page contains a single entry by published on August 4, 2005 8:15 PM.

Cristobal Dam, "Paint Box" was the previous entry in this blog.

More on Banksy in the West Bank is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.