The dramatic rescue of Private Jessica Lynch was just that -- a staged drama. We're not likely to see this story in the American media except for certain outlets like Salon -- see their coverage.
I'm getting my information from a story in the Guardian. Note the paragraph I put in bold. They used blanks while staging the rescue for their cameras.
Her rescue will go down as one of the most stunning pieces of news management yet conceived. It provides a remarkable insight into the real influence of Hollywood producers on the Pentagon's media managers, and has produced a template from which America hopes to present its future wars.But the American media tactics, culminating in the Lynch episode, infuriated the British, who were supposed to be working alongside them in Doha, Qatar. This Sunday, the BBC's Correspondent programme reveals the inside story of the rescue that may not have been as heroic as portrayed, and of divisions at the heart of the allies' media operation.
"In reality we had two different styles of news media management," says Group Captain Al Lockwood, the British army spokesman at central command. "I feel fortunate to have been part of the UK one."
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The doctors in Nassiriya say they provided the best treatment they could for Lynch in the midst of war. She was assigned the only specialist bed in the hospital, and one of only two nurses on the floor. "I was like a mother to her and she was like a daughter,"says Khalida Shinah.
"We gave her three bottles of blood, two of them from the medical staff because there was no blood at this time,"said Dr Harith al-Houssona, who looked after her throughout her ordeal. "I examined her, I saw she had a broken arm, a broken thigh and a dislocated ankle. Then I did another examination. There was no [sign of] shooting, no bullet inside her body, no stab wound - only RTA, road traffic accident," he recalled. "They want to distort the picture. I don't know why they think there is some benefit in saying she has a bullet injury."
The doctors told us that the day before the special forces swooped on the hospital the Iraqi military had fled. Hassam Hamoud, a waiter at a local restaurant, said he saw the American advance party land in the town. He said the team's Arabic interpreter asked him where the hospital was. "He asked: 'Are there any Fedayeen over there?' and I said, 'No'." All the same, the next day "America's finest warriors" descended on the building.
"We heard the noise of helicopters," says Dr Anmar Uday. He says that they must have known there would be no resistance. "We were surprised. Why do this? There was no military, there were no soldiers in the hospital.
"It was like a Hollywood film. They cried, 'Go, go, go', with guns and blanks and the sound of explosions. They made a show - an action movie like Sylvester Stallone or Jackie Chan, with jumping and shouting, breaking down doors." All the time with the camera rolling. The Americans took no chances, restraining doctors and a patient who was handcuffed to a bed frame.
There was one more twist. Two days before the snatch squad arrived, Al-Houssona had arranged to deliver Jessica to the Americans in an ambulance. "I told her I will try and help you escape to the American Army but I will do this very secretly because I could lose my life." He put her in an ambulance and instructed the driver to go to the American checkpoint. When he was approaching it, the Americans opened fire. They fled just in time back to the hospital. The Americans had almost killed their prize catch.
